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Salisbury Cathedral from the Meadows, 1825

Painting: Salisbury Cathedral from the Meadows, 1825

Painter: John Constable


About The Artist - John Constable (11 June 1776 - 31 March 1837)

 

John Constable was a British painter famous for landscape photography reflecting landscape of Dedham Vale.

 

About The Painting - Salisbury Cathedral from the Meadows

 

Constable painted the Salisbury Cathedral from the Meadows in 1829 barely a year after his wife passed away. Like his other painting, the Salisbury Cathedral reflects a glimpse of his imagination and profoundness that in some way was connected to death, life and love.

 

It was quite sometime later after the release of his painting that Constable revealed the true meaning that lay hidden in the stark and bright colors of the painting. This was summarized in nine lines taken from "The Seasons", regarded as one of the best compositions of James Thomson, an 18th Century poet.

 

In Salisbury Cathedral from the Meadows, the rainbow symbolizes hope that cuts across the dark clouds of despair. The rainbow of hope takes birth after the storm that symbolized the death of the pretty and young Amelia her lover Celadon's arms.

 

The painting in someway represented the state of mind that Constable had immediately after the death of his wife. Constable was able to bring out the intensity of various turbulent emotions that sprung from a lower state of mind to a higher state and back. The painting is more of a personal statement but some critics feel that there maybe certain political meanings to it too. One of the meanings that many people were able to relate too is that the painting is a showcase of the clash of nature with industrialization and it can be seen through the different elements depicted in the painting.

 

The different symbolic elements in the painting include:

  • The rainbow: symbol of renewal of optimism
  • Grave marker: Symbol of death
  • Church: symbol of resurrection and faith
  • Ash tree: symbol of life

 

John Constable also included the then Bishop of Salisbury, John Fisher and his wife in the painting as a mark of respect.

 
 
 
 
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