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Painting:
Primavera, 1482
Painter:
Sandro Botticelli
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About The Artist - Sandro Botticelli
(March 1, 1444/45 - May 17, 1510) |
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Alessandro di Mariano di Vanni Filipepi, popularly known
as Sandro Botticelli, an Italian painter, belonged to
the Early Renaissance (Quattrocento) period. |
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About
The Painting - Primavera |
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Botticelli was
a painter during, what is now known as the Golden Age
in Western Art. Belonging to the Early Renaissance period,
Botticelli's work is marked by grace and fluidity of
form. Two of his most famous works, The Birth of Venus
and Primavera, are one of most popular and well-recognized
masterpieces and remarkable examples of Florentine art.
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The Primavera
is housed in Uffizi Gallery of Florence. Primavera actually
means arrival of spring in Italian. A large-format painting,
Primavera is a significant illustration of Renaissance
classicism, imagery, and human form. The painting depicts
classical gods in little clothing and life-sizes. The
complexity of the subject's philosophical symbolism
requires the viewer to have deep knowledge of literature
during the Renaissance period and ability to fuse them
together to understand. |
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The Primavera
is a pictorial version showing highly-idealized forms
with bodies that may at times seem too attenuated while
being elegant, grace in the 16th century Mannerism style.
Venus forms the center of the image and is set slightly
back from the other gods. Just above Venus is Cupid
and he is throwing his arrows of love at the Charites
or Three Graces, who are enjoying themselves as they
dance elegantly. |
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The Grace on
the right side of the Primavera has the face of Caterina
Sforza. While Mercury, on the left, guards the garden
of Venus, the goddess of love in Greek Mythology. Mercury
is symbolically clad in a red clock that seems to be
covered with flames also wears a helmet and wields a
sword, characterizing his role as the guardian of the
Love Garden. |
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The messenger
of Gods can be identified by his winged shoes and the
caduceus staff that he uses to set the two snakes apart;
the snakes have been depicted as winged dragons. The
God of the Winds, Zephyrus, is shown pursuing the nymph
Chloris in a forcible manner, as Flora, the Spring Goddess,
walks next to her scattering flowers. |
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The Primavera
is a profoundly humanistic painting that reflects modern
cultural influences as well as expresses many modern
literatures beautifully. |
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