| Articles by: Artist |
|
|
| Articles by: Movement |
|
|
| Articles by: Painting Name |
|
|
|
|
| |
 |
Painting:
The Flood at Port Marly, 1876
Painter:
Alfred Sisley
|
|
About The Artist - Alfred Sisley
(October 30, 1839 - January 29, 1899) |
| |
|
|
Alfred Sisley was an English Impressionist landscape
painter, but lived and worked in France. |
| |
About
The Painting - The Flood at Port Marly |
| |
Alfred Sisley's
work has been overshadowed by Monet because the artist's
works most resemble Monet's. Sisley was not as experimental
as Monet, and also liked to work on a smaller scale.
Sisley's work has been described as having, "almost
a generic character, an impersonal textbook idea of
a perfect Impressionist painting" by art historian Robert
Rosenblum. The skies in Sisley's landscapes, which he
painted with concentration, are very impressive and
invoke atmosphere. |
| |
Belonging to
the early Impressionism era, Sisley's landscape paintings
such as The Flood at Port Marly is in keeping with the
themes of his other paintings. Partial to the Thames
at Hampton Court, Seine River during flood, or snowed
in suburbs of Paris all represent the fury and power
of nature, while being pure to the Impressionism beliefs.
|
| |
Alfred Sisley
is famous, but not popular, he is admired by not academically
so. Sisley produced some of his best works during the
1870s and this decade was marked by vigorous and beautifully
painted images that are still admired by art students'
world over. |
| |
The Flood at
Port Marly is neither a complex nor dramatic work of
art. It is a sober and reticent illustration, almost
severely solemn, of the Port Marly under flood. Just
like his other works, Sisley is not trying to make either
a political or social comment, nor is he trying to depict
the agrarian community or the bourgeoisie. Not attracted
to the multi-faceted urban life, Sisley's paintings
depict the typical rural and countryside waterways as
they collide with the landscape creating a beautiful
energy. |
| |
The Flood at
Port Marly conveys a startling perception in which Sisley
has depicted a scene that is commonplace but steeped
in imperceptible emotion - the Marly aqueduct flooded
with a woman stranded and boats rescuing people, a gray
stormy sky and far away mountains adding depth to the
imagery. |
|